about

After studying at Central Saint Martins and working in graphic design within the record industry and later as a freelance creative, I’ve recently returned to my first love: screenprinting. It was my favourite medium at college, and now, as a keyholder at Ochre Print Studio, I finally have the time and space to explore it again—balancing both abstract and representational work.

For the more abstract pieces, I begin with a loose plan: a set of screens, some inks, and an idea. From there, I play. After two or three planned layers, the process becomes intuitive—each layer is a reaction to the last, each colour a response to what’s already on the paper. This responsive way of working means that most of my prints are one-of-a-kind. Some succeed, many don’t—but for me, it’s the act of making that matters. A piece is finished only when it feels finished—never predetermined. Often, a detail on a rough test sheet sparks the next direction.

My photographic-based work explores themes of memory, place, and connection—drawing on images of family, friends, and familiar landscapes. These prints act as a kind of emotional processing; colours evoke people, and compositions reflect the feel of certain places. As I print, I reflect on the people I've known and the places I've been, letting those memories guide the work.